Michelle De Feo stands in front of a gleaming black Aga range in Flaming Flamingos, wearing a cream halter-neck fit-and-flare dress covered in bold red flamingo prints, copper pots dangling overhead. Her long dark hair hangs past her chest, and the dress nips her waist before flaring out in a retro silhouette that gives the country kitchen a 1950s pin-up energy. The stone floor, cream cabinets, and brass utensils complete a setting that is cosy, domestic, and entirely disarming, the perfect camouflage for what comes next.

The flamingo dress lifts over her head to reveal a white camisole and high-cut white knickers, nude hold-up stockings with golden lace tops, and nude heels that elongate her toned legs. Michelle turns to lean against the Aga, her back arched, and the generous, shapely curve of her backside is framed perfectly between the golden stocking bands and the white fabric. In the closing frames she stands by the kitchen table, topless, one hand cradling the soft weight of her bare breast, a red poinsettia blooming in the foreground. The flamingos are on the floor, the stockings are still on, and Michelle has turned a quiet kitchen into the most inviting room in the house.