Sophia Smith catches you at the conservatory door in Before You Go, lifting the hem of a white polo shirt to flash a toned midriff above a bright red pleated mini skirt, white tights, and red-and-white heels. Her dark brown hair is pulled back in a neat ponytail, and her features are angular and fine, with high cheekbones and dark eyes that dare you to leave. The glass-paned French doors behind her let the daylight pour in, and the whole scene has the charm of a prep-school sweetheart who knows exactly how to make you late.

Sophia drops to her knees, the red skirt fanning across the carpet as she glances back over one shoulder, the white tights gleaming from ankle to hip. The polo shirt comes overhead, revealing a grey lace bra that cups her pert, shapely chest, the delicate scalloped edges sitting neatly against her fair skin. She crouches low in the closing frames, the bra straps slipping, the red heels bright against the white nylon of the tights, her body compact and taut and entirely composed. Before you go? Nobody is going anywhere.